Karen L. Lewis

Bio:
Karen Lewis is lead Teaching Artist for Just Buffalo Literacy Center. She teaches poetry and creative writing in schools throughout Western New York. Her “Picturing Poetry Proj ect” at Native American Magnet School, with CEPA Gallery Teaching Artist Amy Luraschi, was recently the subject of a documentary by film maker Jon Hand. Karen is a contributing editor for award winning Traffic East magazine. She is a fellow of The Banff Centre’s Wired Writing Studio. Karen’s poetry, short fiction, features, interviews and photography have been widely published. Her poem “Even if” was nominated for a Pushcart Prize by Slipstream Press in 2005.

She and He

She is a fracture filling up with shadows

He is a fog filled meadow

Here the sacred nestles a gray divide
where white is black and black is morning and
morning layers the light like tail feathers in a down draft

She is a ghost, her mind filling up with sun

He is transparent kindness, a smiling xanthic chimera

If she can be described as joyous, sleeping silence
then he must be, strictly speaking, comfortable noise,
an aftereffect of something breaking

She is the distance that slides from one vertebra to another

He is a revolving spine of nights

The space between them cannot be erased
it is a consolation they have grown


Coat of Arms

I learned to speak the language of don’t
touch me at my mother’s side

My father used to joke
his tongue a fuller’s teasel—raising bristle—
that the thistle was my mother’s favorite flower

Her Scottish skin spread pink poison of embarrassment

I laid low in the weeds earth’s green urchin
while they passed back and forth
a martyr’s frame wrapped in brambles

Some memories pierce through years
my father taught me—
harm a thistle wound yourself

There is something humane about making obvious
what is disagreeable to wear your power
to defend or offend on your sleeve for all to see

Field cactus stiff with cat’s claw and spider legs
thistle combs the sky raking clouds
holding safe the seeds of down
that it delivers into the beaks of goldfinch
their sweet songs flying over
my mother’s coat of arms


Even if
After Adrienne Rich

Even if the woman was raped 96 times instead of 97
   and she was found years later   laughing under a tree
   her body a defaced limb   of history
   she would have the power   of growth
Even if my mother didn’t die
   and she was found walking   without aids   on a dirt road
   in Africa   her shoulders chanting a soft chorus   with sun

Even if I had a cure
   for grief

Even if my father could sleep   through the night
   and his dreams   were not cinema verite—
   he would put his money down   for pornography

Even if it were free

Even if my mouth did not attract flies
   and I could   not speak
   inhumane words :
    starvation, racism, fanaticism,
   relentless atrocities   indifference

    we might discover pieces
   of hate
   under our   fingernails

Even if beauty   didn’t have an ulterior motive
   and you could love me   whoever you and I are
    it could be   something   temporary
    looking into each other
    eyes fixed and mutable


Tunnel Mountain
Banff, Alberta, 2007

Train whistles in French
horn across the valley
Between you and I flies
an iridescent magpie
Reaching for the Bow’s release
bones of bedrock fortify
mineral river lichen shivers
percussive pebbles murmur
flats and sharps whisper
chenille and corduroy

Shore lies drawing
on its memories
silent remnants
reflection the surface of
a tall peninsula
ready to swallow this stone
scribe whole

Between these lines of earth
scorching conduits fire
cataclysm channel avalanche channel
glacial crust scouring centuries
of slide and grind
that settle for the foot
of elk, coyote, deer and goat

The world is full of edges
some jagged some round
What is the difference
between subservience and reverence?
Gravity’s knees are scraped regardless
crawling blind toward belief

Better to be a lodestone
of the sea listening
to the shape of water
and its promises to carry me
in its currents
Better to be ice
threatening relief over flow
Better to be dissolved slowly
and pulled into dangling
roots of Douglas Fir

Mouthed earth devours
scars reveal what
time conceals

When the time comes
for me to rise like mountains
I cannot hide myself in skin
When the time comes clouds
will drip into my mouth
I will hold my hands like pockets
life’s blood will pine away years
recycling all kinds of green
When the time comes for trembling
aspen to bury themselves in sun
I will pack my spine with resolve
and the sheer veneer of days
I will not be able to grasp
how my self moves outward in all directions
When the time comes for me to grow bolder
to walk with a forest’s sense of altitude
my eyes will turn to water
dutifully cleansing for the sights that follow
a small price to pay to breathe this air

My dreams a series of prefix reveal
I am always beginning


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This page last updated 7/28/08. Please send Web corrections to Dennis.
For other inquiries about the Rooftop Poetry Club, contact Lisa.