Black History Month

What does it mean to be an American? The story of the African American past demonstrates the difficulty of answering this seemingly simple question. If being "American" means living in a land of freedom and opportunity, what are we to make of those Americans who were enslaved and have suffered from the limitations of second-class citizenship throughout their lives? African American history illuminates the United States' core paradoxes, inviting profound questions about what it means to be an American, a citizen, and a human being. This book considers how, for centuries, African Americans have fought for what the black feminist intellectual Anna Julia Cooper called "the cause of freedom." It begins in Jamestown in 1619, when the first shipment of enslaved Africans arrived in that settlement. It narrates the creation of a system of racialized chattel slavery, the eventual dismantling of that system in the national bloodletting of the Civil War, and the ways that civil rights disputes have continued to erupt in the more than 150 years since Emancipation. This Very Short Introduction carries forward to the Black Lives Matter movement, a grass-roots activist convulsion that declared that African Americans' present and past have value and meaning. At a moment when political debates grapple with the nation's obligation to acknowledge and perhaps even repair its original sin of racialized slavery, author Jonathan Scott Holloway tells a story about American citizens' capacity and willingness to realize the ideal articulated in America's founding document, namely, that all people were created equal.

As Africana Studies celebrates its fiftieth anniversary throughout the United States, this invigorating collection presents possibilities for the future of the discipline's theoretical paths. The essays in Africana Studies focus on philosophy, science, and technology; poetry, literature, and music; the crisis of the state; issues of colonialism, globalization, and neoliberalism; and the ever-expanding diaspora. The editor and contributors to this volume open exciting avenues for new narratives, philosophies, vision, and scale in this critical field of study--formed during the 1960s around issues of racial injustice in America--to show what Africana Studies is already in the process of becoming. Africana Studies recognizes how the discipline has been shaped, changing over the decades as scholars have opened new modes of theoretical engagement such as addressing issues of gender and sexuality, politics, and cultural studies. The essays debate and (re)consider black and diasporic life to sustain, provoke, and cultivate Africana Studies as a singular yet polyvalent mode of thinking. Contributors: Akin Adeṣọkan, John E. Drabinski, Zeyad El Nabolsy, Pierre-Philippe Fraiture, Kasareka Kavwahirehi, Gregory Pardlo, Radwa Saad, Sarah Then Bergh, and the editor

In this sweeping, foundational work, Pulitzer Prize-winning historian David Hackett Fischer draws on extensive research to show how enslaved Africans and their descendants enlarged American ideas of freedom in varying ways in different regions of the early United States. African Founders explores the little-known history of how enslaved people from different regions of Africa interacted with colonists of European origins to create new regional cultures in the colonial United States. The Africans brought with them linguistic skills, novel techniques of animal husbandry and farming, and generations-old ethical principles, among other attributes. This startling history reveals how much our country was shaped by these African influences in its early years, producing a new, distinctly American culture. Drawing on decades of research, some of it in western Africa, Fischer recreates the diverse regional life that shaped the early American republic. He shows that there were varieties of slavery in America and varieties of new American culture, from Puritan New England to Dutch New York, Quaker Pennsylvania, cavalier Virginia, coastal Carolina, and Louisiana and Texas. This landmark work of history will transform our understanding of America's origins.

The untold story of African-born migrants and their vibrant African influence in Harlem. From the 1920s to the early 1960s, Harlem was the intellectual and cultural center of the Black world. The Harlem Renaissance movement brought together Black writers, artists, and musicians from different backgrounds who helped rethink the place of Black people in American society at a time of segregation and lack of recognition of their civil rights. But where is the story of African immigrants in Harlem's most recent renaissance? Africans in Harlem examines the intellectual, artistic, and creative exchanges between Africa and New York dating back to the 1910s, a story that has not been fully told until now. From Little Senegal, along 116th Street between Lenox Avenue and Frederick Douglass Boulevard, to the African street vendors on 125th Street, to African stores, restaurants, and businesses throughout the neighborhood, the African presence in Harlem has never been more active and visible than it is today. In Africans in Harlem, author, scholar, writer, and filmmaker Boukary Sawadogo explores Harlem's African presence and influence from his own perspective as an African-born immigrant. Sawadogo captures the experiences, challenges, and problems African émigrés have faced in Harlem since the 1980s, notably work, interaction, diversity, identity, religion, and education. With a keen focus on the history of Africans through the lens of media, theater, the arts, and politics, this historical overview features compelling character-driven narratives and interviews of longtime residents as well as community and religious leaders. A blend of self-examination as an immigrant member in Harlem and research on diasporic community building in New York City, Africans in Harlem reveals how African immigrants have transformed Harlem economically and culturally as they too have been transformed. It is also a story about New York City and its self-renewal by the contributions of new human capital, creative energies, dreams nurtured and fulfilled, and good neighbors by drawing parallels between the history of the African presence in Harlem with those of other ethnic immigrants in the most storied neighborhood in America.

For decades, scholars have conceived of the coastal city of New Orleans as a remarkable outlier, an exception to nearly every "rule" of accepted U.S. historiography. A frontier town of the circum-Caribbean, the popular image of New Orleans has remained a vestige of North America's European colonial era rather than an Atlantic city on the southern coast of the United States. Beginning with the French founding of New Orleans in 1718 and concluding with the outbreak of the American Civil War in 1861, An American Color seeks to correct this vision. By tracing the impact of racial science, law, and personal reputation and identity through multiple colonial and territorial regimes, it shows how locally born mulâtres in French New Orleans became part of a self-conscious, identifiable community of Creoles of color in the United States. An American Color places this local history in the wider context of the North American continent and the Atlantic world. This book shows that New Orleans and its free population of color did not develop in a cultural, legal, or intellectual vacuum. More than just a study of race and law, this work tells a story of humanity in the Atlantic world, a story of how a people on the French colonial frontier in the mid-eighteenth century became unlikely, accepted parts of a vast political, social, and racial United States without ever leaving home.

From legendary historian Adam Hochschild, a "masterly" (New York Times) reassessment of the overlooked but startlingly resonant period between World War I and the Roaring Twenties, when the foundations of American democracy were threatened by war, pandemic, and violence fueled by battles over race, immigration, and the rights of labor The nation was on the brink. Mobs burned Black churches to the ground. Courts threw thousands of people into prison for opinions they voiced--in one notable case, only in private. Self-appointed vigilantes executed tens of thousands of citizens' arrests. Some seventy-five newspapers and magazines were banned from the mail and forced to close. When the government stepped in, it was often to fan the flames.   This was America during and after the Great War: a brief but appalling era blighted by lynchings, censorship, and the sadistic, sometimes fatal abuse of conscientious objectors in military prisons--a time whose toxic currents of racism, nativism, red-baiting, and contempt for the rule of law then flowed directly through the intervening decades to poison our own. It was a tumultuous period defined by a diverse and colorful cast of characters, some of whom fueled the injustice while others fought against it: from the sphinxlike Woodrow Wilson, to the fiery antiwar advocates Kate Richards O'Hare and Emma Goldman, to labor champion Eugene Debs, to a little-known but ambitious bureaucrat named J. Edgar Hoover, and to an outspoken leftwing agitator--who was in fact Hoover's star undercover agent. It is a time that we have mostly forgotten about, until now.  In American Midnight, award-winning historian Adam Hochschild brings alive the horrifying yet inspiring four years following the U.S. entry into the First World War, spotlighting forgotten repression while celebrating an unforgettable set of Americans who strove to fix their fractured country--and showing how their struggles still guide us today.  

The history of Black Alaskans runs deep and spans generations. Decades before statehood and earlier even than the Klondike gold rush of the 1890s, Black men and women participated in Alaska?s politics and culture. They hunted whales, patrolled the seas, built roads, served in the military, and opened businesses, even as they endured racism and fought injustices. Into the twentieth century, Alaska?s Black residents were often part of the larger, nationwide freedom struggle. At the same time, Black settlers found themselves in a far different context than elsewhere in the United States, as Alaska?s strategic military location, economic reliance on oil, and unique racial landscape influenced how Black Alaskans made a home for themselves in the northwesternmost corner of the country. Centering the agency and diversity of Black Alaskans, Black Lives in Alaska chronicles how Alaska?s Black population, though small, has had an outsized impact on the culture and civic life of the region. Alaska?s history of race relations and civil rights reminds the reader that the currents of discrimination and its responses?determination, activism, and perseverance?are American stories that might be explored in the unlikeliest of places.

By 1867 black San Franciscans had gained access to public transportation. In 1869 they were granted the right to vote by the state of California. In 1875 they fought for desegregated schools and won. Yet in 1957, Willie Mays was initially denied the opportunity to purchase a home in an exclusive San Francisco neighborhood because he was black. In Black San Francisco, Albert Broussard explores race relations in a city where whites, for the most part, were outwardly civil to blacks while denying them employment opportunities and political power. Understanding the texture of the racial caste system, he argues, is critical to understanding why blacks made so little progress in employment, housing, and politics despite the absence of segregation laws. When it came to racial equality in the early twentieth century, Broussard argues, the liberal progressive image of San Francisco was largely a facade. Illustrating how black San Franciscans struggled to achieve equality in the same manner as their counterparts in the Midwest and East, he challenges the rhetoric of progress and opportunity with evidence of the reality of inequality for black San Franciscans. Black San Francisco is considerably broader in scope than any previous study of African-Americans in the West. It provides extensive coverage of the city's black community during the Great Depression and the New Deal, details civil rights activities from 1915 to 1954, and provides extensive biographical material on local black leaders. In his reconstruction of the plight of San Francisco's black citizens, Broussard reveals a population that, despite its small size before 1940, did not accept second-class citizenship passively yet remained nonviolent into the 1960s. He also shows how World War II was a watershed for Black San Francisco, bringing thousands of southern migrants to the bay area to work in the war industries. These migrants, in tandem with native black residents, formed coalitions with white liberals to attack racial inequality more vigorously and successfully than at any previous time in San Francisco's history.

In Black Reconstruction W.E.B. Du Bois wrote, "The slave went free; stood for a brief moment in the sun; then moved back again toward slavery." His words echo across the decades as the civil rights revolution, marked by the passage of landmark civil rights laws in the '60s, has seen those gains steadily and systematically whittled away. As history testifies, revolution nearly always triggers its antithesis: counterrevolution. In this book Steinberg provides an analysis of this backlash, tracing the reverse flow of history that has led to the current national reckoning on race. Steinberg puts counterrevolution into historical and theoretical perspective, exploring the "victim-blaming" and "colorblind" discourses that emerged in the post-segregation era and undermined progress toward racial equality, and led to the gutting of affirmative action. This book reflects Steinberg's long career as a critical race scholar, culminating with his assessment of our current moment and the possibilities for political transformation.

From the New York Times contributing opinion writer and award-winning author of Reading While Black, a riveting intergenerational account ofhisfamily's search for home and hope "A riveting book that invites you into the personal journey of one of the finest writers alive today."-Beth Moore, New York Times bestselling author of All My Knotted-Up Life For much of his life, Esau McCaulley was taught to see himself as an exception- someone who, through hard work, faith, and determination, overcame childhood poverty, anti-Black racism, and an absent father to earn a job as a university professor and a life in the middle class. But that narrative was called into question one night, when McCaulley answered the phone and learned that his father-whose absence defined his upbringing-died in a car crash.McCaulley was being asked to deliver his father's eulogy, to make sense of his complicated legacy in a country that only accepts Black men on the condition that they are exceptional, hardworking, perfect. The resulting effort sent McCaulley back through his family history, seeking to understand the community that shaped him. In these pages, we meet his great-grandmother Sophia, a tenant farmer born with the gift of prophecy who scraped together a life in Jim Crow Alabama; his mother, Laurie, who raised four kids alone in an era when single Black mothers were demonized as "welfare queens"; and a cast of family, friends, and neighbors who won small victories in a world built to swallow Black lives.With profound honesty and compassion, he raises questions that implicate us all- What does each person's struggle to build a life teach us about what we owe each other? About what it means to be human? How Far to the Promised Land is a thrilling and tender epic about being Black in America.It's a book that questions our too-simple narratives about poverty and upward mobility; a book in which the people normally written out of the American Dream are given voice.

The Civil Rights Movement, which occurred primarily in the 1950s and 1960s, aimed to acquire justice, equality, and an end to racism and discrimination against Black Americans. In an attempt to do so, Black activists staged protests, walkouts, and boycotts and turned to institutions of education and politics to usher in change. However, the historiography on the Civil Rights Movement focuses on the more prominent events and individuals of the time, for example, Martin Luther King Jr., Rosa Parks, the Civil Rights Act of 1964, and the Voting Rights Act of 1965. The missing components of the historiography include the contributions made by Northern local leaders to the Civil Rights Movement. In particular, Leeland N. Jones Jr. and Claude Clapp are two case studies from Buffalo, New York, who adapted methodologies utilized by civil rights activists to fight for equality in a Northern location. Gathering information from primary and secondary sources, this author intends to highlight the efforts of two Black Buffalonians that fought for civil rights reform in housing policies, politics, and education. This thesis aims to broaden the understanding and include local leaders in the growing historiography of the Civil Rights Movement. The struggle for justice and equality was not contained to the Southern United States but spread across the nation and globe. Leeland Jones and Claude Clapp are just two examples of local leaders advocating to end racism and discrimination in their communities.

The use of race in studies of insanity in the 1840s and 1850s gave rise to politically charged theories on the differential biology and pathologies of brains in whites and Blacks. In Mad with Freedom, Élodie Edwards-Grossi explores the largely unknown social history of these racialized theories on insanity in the segregated South. She unites an institutional history of psychiatric spaces in the South that housed Black patients with an intellectual history of early psychiatric theories that defined the Black body as a locus for specific pathologies. Edwards-Grossi also reveals the subtle, localized techniques of resistance later employed by Black patients to confront medical power. Her work shows the continuous politicization of science and theories on insanity in the context of Reconstruction and the Jim Crow South.

This social and cultural history of Civil War medicine and science sheds important light on the question of why and how anti-Black racism survived the destruction of slavery. During the war, white Northerners promoted ideas about Black inferiority under the guise of medical and scientific authority. In particular, the Sanitary Commission and Army medical personnel conducted wartime research aimed at proving Black medical and biological inferiority. They not only subjected Black soldiers and refugees from slavery to substandard health care but also scrutinized them as objects of study. This mistreatment of Black soldiers and civilians extended after life to include dissection, dismemberment, and disposal of the Black war dead in unmarked or mass graves and medical waste pits. Simultaneously, white medical and scientific investigators enhanced their professional standing by establishing their authority on the science of racial difference and hierarchy.   Drawing on archives of the U.S. Sanitary Commission, recollections of Civil War soldiers and medical workers, and testimonies from Black Americans, Leslie A. Schwalm exposes the racist ideas and practices that shaped wartime medicine and science. Painstakingly researched and accessibly written, this book helps readers understand the persistence of anti-Black racism and health disparities during and after the war.

A dazzlingly inventive and powerful exploration of Black life, in stunning words and visuals, by the renowned author of In the Wake. "These Black notes may land in silence or a tone, a sound, a pitch, a record, or an observation made with care; these notes might just reach you across distance, time, and space and with them you may be 'held/and held.'" Christina Sharpe's Ordinary Notes offers a unique and indelible vision of Black life, art, language, beauty, and memory. Its more than three hundred notes collect into startling, rigorously constructed, beautiful layers, ranging across history, photography, and literature to attend to everyday Black existence. Sharpe's consideration of Black life's ordinary-extraordinary dimensions shape-shifts through her mother's aesthetic of "beauty as a method," gathers entries toward a Dictionary of Untranslatable Blackness, and probes sites of memory and memorials. A singular achievement, Ordinary Notes explores with immense care profound questions about loss and the shapes of Black life that emerge from the ruins, forging a new literary form as multivalent as the ways of Black being it traces.

Since its original publication in 1984, Manning Marable's Race, Reform, and Rebellion has become widely known as the most crucial political and social history of African Americans since World War II. Aimed at students of contemporary American politics and society and written by one of the most articulate and eloquent authorities on the movement for black freedom, this acclaimed study traces the divergent elements of political, social, and moral reform in nonwhite America since 1945. This updated edition brings Marable's study into the twenty-first century, analyzing the effects of such factors as black neoconservatism, welfare reform, the Million Man March, the mainstreaming of hip-hop culture, 9/11, and Hurricane Katrina. Marable's work, brought into the present, remains one of the most dramatic, well-conceived, and provocative histories of the struggle for African American civil rights and equality. Through the 1950s and 1960s, Marable follows the emergence of a powerful black working class, the successful effort to abolish racial segregation, the outbreak of Black Power, urban rebellion, and the renaissance of Black Nationalism. He explores the increased participation of blacks and other ethnic groups in governmental systems and the white reaction during the period he terms the Second Reconstruction. Race, Reform, and Rebellion illustrates how poverty, illegal drugs, unemployment, and a deteriorating urban infrastructure hammered the African American community in the 1980s and early 1990s. The Third Edition provides: Perspective on recent catastrophic events Context on how 9/11 and Hurricane Katrina magnified persistent racial injustice Analysis of such devastating, long-term trends as urban decay, illegal drug use, and increased poverty An up-to-date text from one of the nation's leading scholars

This first title in the "Law, Literature & Culture" series uses six legal disputes from the South Carolina courts to illuminate the complex legal history of race in the U.S. South from slavery through Jim Crow. The first two cases--one criminal, one civil--both illuminate the extreme oppressiveness of slavery. The third explores labor relations between newly emancipated Black agricultural workers and white landowners during Reconstruction. The remaining cases investigate three prominent features of the Jim Crow system: segregated schools, racially biased juries, and lynching, respectively. Throughout the century under consideration, South Carolina's legal system obsessively drew racial lines, always to the detriment of non-white people, but it occasionally provided a public forum within which racial oppression could be challenged. The book emphasizes how dramatically the degree of legal oppressiveness experienced by Black South Carolinians varied during the century under study, based largely on the degree of Black access to political and legal power. "Recent arguments in African American History have emphasized the theme of continuity. . . . Race and Law in South Carolina recovers the theme of change over time by showing just how things have changed, and it does so through patient, thick description." --H. Robert Baker, Georgia State University "This book and its concomitant student project is an exciting endeavor. . . . The cases are captivating and accessibly written, making this a possible college classroom read." --Vanessa Blanck, Rowan University

Romance and Rights: The Politics of Interracial Intimacy, 1945-1954 studies the meaning of interracial romance, love, and sex in the ten years after World War II. How was interracial romance treated in popular culture by civil rights leaders, African American soldiers, and white segregationists? Previous studies focus on the period beginning in 1967 when the Supreme Court overturned the last state antimiscegenation law (Loving v. Virginia). Lubin's study, however, suggests that we cannot fully understand contemporary debates about ""hybridity,"" or mixed-race identity, without first comprehending how WWII changed the terrain. The book focuses on the years immediately after the war, when ideologies of race, gender, and sexuality were being reformulated and solidified in both the academy and the public. Lubin shows that interracial romance, particularly between blacks and whites, was a testing ground for both the general American public and the American government. The government wanted interracial relationships to be treated primarily as private affairs to keep attention off contradictions between its outward aura of cultural freedom and the realities of Jim Crow politics and antimiscegenation laws. Activists, however, wanted interracial intimacy treated as a public act, one that could be used symbolically to promote equal rights and expanded opportunities. These contradictory impulses helped shape our current perceptions about interracial romances and their broader significance in American culture. Romance and Rights ends in 1954, the year of the Brown v. Board of Education decision, before the civil rights movement became well organized. By closely examining postwar popular culture, African American literature, NAACP manuscripts, miscegenation laws, and segregationist protest letters, among other resources, the author analyzes postwar attitudes towards interracial romance, showing how complex and often contradictory those attitudes could be. Alex Lubin is a professor of American studies at the University of New Mexico. His work has been published in American Quarterly, Labor Studies, and OAH History Magazine.

The New York Times bestselling author of George Washington's Secret Six and Thomas Jefferson and the Tripoli Pirates turns to two other heroes of the nation- Theodore Roosevelt and Booker T. Washington. When President Theodore Roosevelt welcomed the country's most visible Black man, Booker T. Washington, into his circle of counsellors in 1901, the two confronted a shocking and violent wave of racist outrage. In the previous decade, Jim Crow laws had legalized discrimination in the South, eroding social and economic gains for former slaves. Lynching was on the rise, and Black Americans faced new barriers to voting. Slavery had been abolished, but if newly freed citizens were condemned to lives as sharecroppers, how much improvement would their lives really see? In Teddy and Booker T., Brian Kilmeade tells the story of how two wildly different Americans faced the challenge of keeping America moving toward the promise of the Emancipation Proclamation. Theodore Roosevelt was white, born into incredible wealth and privilege in New York City. Booker T. Washington was Black, born on a plantation without even a last name. But both men embodied the rugged, pioneering spirit of America. Kilmeade takes us to San Juan Hill, where Roosevelt led his Rough Riders to a thrilling victory that set the stage for a legendary presidency, and to a small town in Alabama, where Washington founded the first university for African Americans, paving the way for the Civil Rights Movement. Both men abhorred the decadence and moral rot the nation had fallen into, believed that improvement through careful collaboration was possible, and trusted that the American ideals of individual liberty and hard work could propel the neediest toward success, if only those holding them back would step aside. As he did in George Washington's Secret Six, Kilmeade has transformed this nearly forgotten slice of history into a dramatic story that will keep you turning the pages to find out how these two heroes, through their principles and courage, not only changed each other, but helped lay the groundwork for true equality.

One of our preeminent historians of race and democracy argues that the period since 2008 has marked nothing less than America's Third Reconstruction In The Third Reconstruction, distinguished historian Peniel E. Joseph offers a powerful and personal new interpretation of recent history. The racial reckoning that unfolded in 2020, he argues, marked the climax of a Third Reconstruction: a new struggle for citizenship and dignity for Black Americans, just as momentous as the movements that arose after the Civil War and during the civil rights era. Joseph draws revealing connections and insights across centuries as he traces this Third Reconstruction from the election of Barack Obama to the rise of Black Lives Matter to the failed assault on the Capitol. America's first and second Reconstructions fell tragically short of their grand aims. Our Third Reconstruction offers a new chance to achieve Black dignity and citizenship at last--an opportunity to choose hope over fear.

Journalists began to call the Korean War "the Forgotten War" even before it ended. Without a doubt, the most neglected story of this already neglected war is that of African Americans who served just two years after Harry S. Truman ordered the desegregation of the military. Twice Forgotten draws on oral histories of Black Korean War veterans to recover the story of their contributions to the fight, the reality that the military&8239;desegregated in fits and starts, and how veterans' service fits into the long history of the Black freedom struggle.     This collection of seventy oral histories, drawn from across the country, features interviews conducted by the author and his colleagues for their American Radio Works documentary, Korea: The Unfinished War, which examines the conflict as experienced by the approximately 600,000 Black men and women who served. It also includes narratives from other sources, including the Library of Congress's visionary Veterans History Project. In their own voices, soldiers and sailors and flyers tell the story of what it meant, how it felt, and what it cost them to fight for the freedom abroad that was too often denied them at home.

This thesis is grounded in a reflection and analysis of the building of an institution whose foundation and visuals position the narratives of Black individuals at the forefront of Underground Railroad interpretation. In 2018, the Niagara Falls Underground Railroad Heritage Center opened to the public after decades in the making. Its permanent exhibition, One More River to Cross, set in motion a shift in power - of whose stories are represented and shared - generated by visual activism. "Between the American Revolution in 1776 and the end of the Civil War in 1865, thousands of freedom seekers escaped slavery in the southern United States. Many relied on a network of people and places called the Underground Railroad." The nature of the Underground Railroad was to operate just out of view, to aid and create the opportunities for enslaved persons to make it to free states and Canada. Because it was necessary to keep the movement hidden, evidence of these operations is rarely depicted visually. This thesis explores the creation of the One More River to Cross exhibition and calls for exhibit design and interpretation to be more inclusive utilizing a critical lens, to generate a shift in how we understand the Underground Railroad. I argue that by only exhibiting visuals that are readily available, the most critical elements of history are left out. This in turn continues systemic oppressive practices and behaviors.

#1 New York Times bestselling author and Pulitzer Prize winner Thomas E. Ricks offers a new take on the Civil Rights Movement, stressing its unexpected use of military strategy and its lessons for nonviolent resistance around the world. "Ricks does a tremendous job of putting the reader inside the hearts and souls of the young men and women who risked so much to change America . . . Riveting." --Charles Kaiser, The Guardian In Waging a Good War, the bestselling author Thomas E. Ricks offers a fresh perspective on America's greatest moral revolution--the civil rights movement of the 1950s and 1960s--and its legacy today. While the Movement has become synonymous with Martin Luther King, Jr.'s ethos of nonviolence, Ricks, a Pulitzer Prize-winning war reporter, draws on his deep knowledge of tactics and strategy to advance a surprising but revelatory idea: the greatest victories for Black Americans of the past century were won not by idealism alone, but by paying attention to recruiting, training, discipline, and organization--the hallmarks of any successful military campaign. An engaging storyteller, Ricks deftly narrates the Movement's triumphs and defeats. He follows King and other key figures from Montgomery to Memphis, demonstrating that Gandhian nonviolence was a philosophy of active, not passive, resistance--involving the bold and sustained confrontation of the Movement's adversaries, both on the ground and in the court of public opinion. While bringing legends such as Fannie Lou Hamer and John Lewis into new focus, Ricks also highlights lesser-known figures who played critical roles in fashioning nonviolence into an effective tool--the activists James Lawson, James Bevel, Diane Nash, and Septima Clark foremost among them. He also offers a new understanding of the Movement's later difficulties as internal disputes and white backlash intensified. Rich with fresh interpretations of familiar events and overlooked aspects of America's civil rights struggle, Waging a Good War is an indispensable addition to the literature of racial justice and social change--and one that offers vital lessons for our own time.

Since its publication in 1944, many Americans have described Gunnar Myrdal's An American Dilemma as a defining text on U.S. race relations. Here, Maribel Morey confirms with historical evidence what many critics of the book have suspected: An American Dilemma was not commissioned, funded, or written with the goal of challenging white supremacy. Instead, Morey reveals it was commissioned by Carnegie Corporation president Frederick Keppel, and researched and written by Myrdal, with the intent of solidifying white rule over Black people in the United States. Morey details the complex global origins of An American Dilemma, illustrating its links to Carnegie Corporation's funding of social science research meant to help white policymakers in the Anglo-American world address perceived problems in their governance of Black people. Morey also unpacks the text itself, arguing that Myrdal ultimately complemented his funder's intentions for the project by keeping white Americans as his principal audience and guiding them towards a national policy program on Black Americans that would keep intact white domination. Because for Myrdal and Carnegie Corporation alike, international order rested on white Anglo-Americans' continued ability to dominate effectively.